Recently Watched - Margaret
Recently Watched - The Loneliest Planet
“So, before I delve further into this, let me, as a former president used to say, make one thing perfectly clear: A movie is not a script and a script is not a movie. It is not necessarily the goal of any movie to be faithful to the script. And filmmaking, like any creative endeavor, is the product not just of planning but of trial and error, happy accidents, last-minute problem-solving and spontaneous invention.
Although this is by nature a quest movie, a road movie, with a picaresque, episodic structure, the set-pieces (such as they are) don’t build suspense and the overall narrative feels haphazard and dramatically slack — which is really uncharacteristic of the usually energetic and focused Tarantino. The movie really feels unfinished — like a hastily thrown-together work print. (I later learned that, despite eight months of production and 18 weeks of post-production, things came right down to the wire and the first screening at the DGA was delayed two days for last-minute mixing tweaks.)”
100% agree with Jim Emerson’s review of Django Unchained
Orange Juice - Rip It Up (1983)
in 2011 i failed at keeping up a log of Recently Watched Films but i’m gonna take another stab at it. these are the ones i’ve watched (and rewatched) in the last couple weeks.
We Need To Talk About Kevin
The Queen of Versailles
I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave “V” words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land’s-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.
I like the word screenwriter better than copywriter, so I decided to quit my job in a New York advertising agency and try my luck in Hollywood, but before taking the plunge I went to Europe for a year of study, contemplation and horsing around.
I have just returned and I still like words.
May I have a few with you?”
- Robert Pirosh, 1934
Jim James - Know Til Now
"The financial stakes of the crossword are higher than a casual solver might realize. The New York Times, which runs the most prestigious American crossword series, pays $200 for a daily or $1,000 for a Sunday, which is certainly more generous than its competitors. However, The Times also makes piles of money from its puzzles. Standalone, online subscriptions to the crossword cost $40 a year ($20 for those who already subscribe to the dead-tree edition of the paper). In this 2010 interview, Will Shortz, the paper’s famed puzzle master, estimated the number of online-only subscribers at around 50,000, which translates to $2 million annually."
Solving The Broken Crossword Puzzle Economy
Everyone has a friend who is so charismatic, brilliant or good-looking that the idea of him or her trolling OKCupid is mind-boggling. I am haunted by those friends. What is it that separates us? Is it gluten? I’m at peace with the fact that Drake sings about how jaded he is from being constantly propositioned by beautiful women—because Drake is crazy-famous. My friends who’d never be mistaken as online daters are not famous, but they also possess some ineffable quality that makes them forever F-able. As far as our social sphere is concerned, they might as well be Drake (or nearest female equivalent): They’re stars, and finding them on a dating site would create cognitive dissonance of Orwellian proportions. Personally, I’ve never felt as spectacularly anonymous as I have as an online dater, united with everyone else on the site in that we all have a reason to be there. I can rationalize about Internet dating for days. I can think up reasons for why the way my grandparents met is outmoded. But I don’t want any woman to think she was my last resort, and I don’t want to imagine that I was hers. When we say, “I’m so glad we found each other,” I don’t want it to refer to the way we had to find each other like hidden files in a hard-drive search.
My Superpower Is Being Alone Forever (part 1)
Oddly enough, the most honest moment in a relationship usually arrives once it’s over. It’s the “speak now or forever hold your peace” part of the wedding, only inverted. You tell the couple why they’re terrible for each other, and the couple is you. Suddenly, the preceding months or years have an air of unreality—like they never happened at all or turned out to be one long Christmas Ghost hallucination. When my last relationship ended, it didn’t seem possible that, mere days before, I’d have probably dove into traffic to save a person I’d now dive headlong into a mound of summertime garbage just to avoid seeing at a crosswalk. Of course, being newly single sort of feels like diving into a pail of garbage all the time.
This absence manifests itself everywhere. I’m keenly aware of a certain G-chat window’s negative space on my computer screen all day. Unfortunate coworker fashion choices go criminally underreported. The pertinent details of which falafel place I did for lunch are lost to the ages. My day’s narrative simply loses its primary audience, as though cancelled due to low ratings and frequent profanity. I could continue the broadcast on Facebook, dispatching glossy post-breakup PR or the romantic distress bat-signal of Sade lyrics, but being heard is not the same as feeling known. Nothing can substitute for the presence of an actual human person who knows most of your secrets and still somehow wants to make out with you.
My Superpower Is Being Alone Forever: Newly Single (part 2)
“A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair was black as a crow’s wing and cut sharply and diagonally across her cheek. I looked at her and she disturbed me and made me very excited. I wished I could put her in the story, or anywhere, and but she had placed herself so she could watch the street and the entry and I knew she was waiting for someone. So I went on writing.
The story was writing itself and I was having a hard time keeping up with it. I ordered another rum St. James and I watched the girl whenever I looked up, or when I sharpened the pencil with a pencil sharpener with the shavings curling into the saucer under my drink.
I’ve seen you beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought, You belong to me and all Pairs belongs to me and I belong to this notebook and this pencil.”
A Moveable Feast